Enseignement(s)

ARTC-B465 - Théories et pratiques de la dramaturgie

Publication(s) récente(s)

Trapp, F. (2024). Readings of Contemporary Circus: A Dramaturgy.

Trapp, F. (2022). Lektüren des zeitgenössischen Zirkus: Ein Modell zur text-kontext-orientierten Aufführungsanalyse.

Leyton, P., Cossin, M., Trapp, F., Griep-Ruiz, G. A., Gérard, F., Seclet, E., & Stuckey, M. (2025). Guide sur la conception d'agrès et d'équipements de cirque: Introduction aux étapes et repères fondamentaux.

Leyton, P., Cossin, M., Trapp, F., Griep-Ruiz, G. A., Gérard, F., Seclet, E., & Stuckey, M. (2025). Guide to the design of Circus Apparatuses and Equipment: Introduction to the Key Steps and fundamental Guidelines.

Trapp, F. (2023). 360° Circus: Meaning. Practice. Culture.

Trapp, F. (2026). In quest of humanity: The (re)presentation of wolves in contemporary circus performances. In S. Siedlecka & W. Anna (Eds.), Performance and human-animal entanglements (1 ed., pp. 65-81). New York: Routledge.

Trapp, F. (2025). Zirkus Bauboom 2.0: Zwischen gestern und morgen. In M. Hildbrand & F. Künkel (Eds.), Zirkuskunst in Berlin um 1900: Einblicke in eine vergessene Praxis (pp. 18-19). Berlin: Theater der Zeit.

Trapp, F. (2023). Introduction.: Welcome to the Wonderland of Contemporary Circus. In F. Trapp (Ed.), 360° Circus: Meaning. Practice. Culture (pp. 1-18). New York: Routlege. doi:9781032138060

Trapp, F. (2023). Reading Circus.: Dramaturgy on the Border between Art and Academia. In F. Trapp (Ed.), 360° Circus: Meaning. Practice. Culture (pp. 100-114). New York: Routledge.

Trapp, F. (2022). Not my Circus not my Monkeys: Introducing Contemporary Circus. In Circus in Flux: Zeitgenössischer Zirkus (pp. 16-23). Berlin: Theater der Zeit.

Trapp, F., Sabrina Sow,, & Natan Alberca, (2024). The Non-Human Animal Artist: Toward the Presentation of an Artistic Species-Companionship in Circus. Journal for Artistic Research,(34). doi:10.22501/jar.1702122

Trapp, F. (2024). "Dresse-toi": Perspectives on the (Re)Valorisation of Nonhuman animal performers in Contemporary Circus. Animal studies journal, 13(1), 103-136.

Trapp, F. (2025). 現代サーカスの読み方とドラマトゥルギ. Journal of circus studies, 6, 1, 1-5.

Trapp, F. (2025). Out of Lines: The Reappearance of animals in Contemporary Circus. Paper session presented at Australian Circus Summit (NICA Melbourne).

Trapp, F. (2024). In between imagination and politics: Writing the history of circus. Paper session presented at Arts and Media Archeology Seminar SCIFAIR (University of Antwerp).

Trapp, F. (2024). Challenging Categories: Human/Non-Human, Global North/South, Tradition/Innovation in 23 Fragements de ces Derniers jours. Paper session presented at Circus and its Others (3: Bogota).

Trapp, F. (2024). Together we go further: Community, Collectivity, and Collaboration in Contemporary Circus. Paper session presented at Dramaturgy Revised. Japanes and Belgium/European perspectives (University of Waseda, Tokyo).

Trapp, F. (2024). "I believe I can fly". "I believe she could fall": Contemporary Circus Dramaturgy and the Perception of Risk. Paper session presented at Circus. (A Safe(r) Space for Danger?: Antwerp).

Trapp, F. (2023). Circus Research as/and Comparative Research. Paper session presented at Comparative Dramaturgy (Methods and Challenges: Bruxelles).

Trapp, F. (2023). More than human?: Inszenierungsstrategien im Zeitgenössischen Zirkus. Paper session presented at Internationaler Kongress der Gesellschaft für Theaterwissenschaft (University of Berlin).

Trapp, F. (2022). SchauSpielRisiko: Zirkus im Werk von Michael Ende. Paper session presented at Michael Ende (Poetik und Positionierungen: Universität Oldenburg).