Présentation des enseignements
Prof. Dr. Dennis Ioffe is an Associate Professor of Russian Studies (Titulaire de la Chaire de langue et littérature Russe).
Département d’enseignement de Langues et Lettres, Faculté de Lettres, Traduction et Communication, Université libre de Bruxelles.
Il enseigne tous les sujets liés à la littérature, à la langue, à la culture, à l'art, au cinéma et à la musique russes.
Il enseigne également les théories littéraires.
Présentation des thèmes de recherche
Domaines de recherche :
Littérature comparée, Études régionales, Histoire de l'art, Méthodes d'enseignement des langues, Linguistique, Études littéraires, Médias, Musique, Philosophie, Religion, Théâtre et les arts du spectacle, Traduction.
Période de recherche : 19e siècle, 20e siècle, contemporain.
Région de recherche :
Europe centrale, Europe de l'Est, Moyen-Orient, Europe occidentale.
Langues de recherche :
Langues de l'Europe de l'Est, néerlandais, anglais, français, latin, langues orientales.
Méthodologie de recherche :
Cultures comparées, théorie littéraire, narratologie, analyse de la langue et du texte.
Centre de recherche MODERNITAS, MSH, ULB;
Co-Editor-in-Chief, Slavic Literatures (Russian Literature), Elsevier Science BV.
Senior scientific evaluator, European Commission, The EU Framework Programme for Research and Innovation. The European Innovation Council (EIC).
https://msh.ulb.ac.be/en/who/dennis-ioffe
http://www.journals.elsevier.com/russian-literature/editorial-board/
Lien vers un site externe
https://denis.ioffe.web.ulb.be/
Enseignement(s)
LITT-B400 - Théorie de la littérature
SLAV-B105 - Histoire et culture russes
SLAV-B210 - Littérature russe I
SLAV-B311 - Littérature russe II
SLAV-B410 - Littérature russe III
SLAV-B505 - Langue russe V
SLAV-B511 - Littérature russe IV
STAG-B471 - Stage
Centre(s) de recherche
Centre de recherches en Etudes littéraires, philologiques et textuelles
Publication(s) récente(s)
Ioffe, D. (2025). Kultura russkogo modernisma: voprosy teorii i praktiki.
Ioffe, D., & Cámara Outes, C. (2025). New Readings on Russian Formalism at the Crossroads of Slavic Cultural History: Primary Insights and Perspectives for Future Research.
Ioffe, D. (2026). Russian Conceptualism of Andrey Monastyrsky. Ego-documents, Oneiroids, and Psychedelic Science of Art.
Ioffe, D. (2026). The European Avant-Garde(s) and Technologies: Unfinished Modernity and the Idea of Tékhnē—the One Hundred Years’ Revolution, 1850–1950.
Ioffe, D., & Kocialkowska, K. (2026). East-European Censorship in Context. Several case Studies.
Ioffe, D. (2025). Music vis-à-vis Other Arts in Eastern and Central Europe: Performance, Literature, Theatre, Art/Architecture and Visuality. Basel, Switzerland: MDPI.
Ioffe, D. (2023). Slavic and Eastern-European Visuality: Modernity and Tradition.
Ioffe, D. (2026). Russian Historical Anarchism Reconsidered: Crossroads of Modernism, Political Imagination, and Cultural Theory. In P. James (Ed.), Legacies of Anarchism in European Literatures.. Oxford: Legenda.
Ioffe, D. (2025). K voprosu ob igrovykh strategijakh Daniila Kharmsa. Obzor osnovnykh interpretacii. In Daniil Kharms: Pro i Kontra. Sankt Petersburg: Izdatel'stvo Russkogo Christianskogo Humanitarnogo Instituta.
Ioffe, D., & Pavlov, E. E. (2024). Arkady Dragomoshchenko and the Leningrad Cultural Underground. In M. Lipovetsky (Ed.), The Oxford Handbook of Soviet Underground Culture, The Oxford Handbook of Soviet Underground Culture (pp. 960-985). Oxford, UK: Oxford University Press. doi:10.1093/oxfordhb/9780197508213.013.26
Ioffe, D. (2024). The Experimental Sounds of Russian Conceptualism: From Historical Musical Avant-garde to Cultural Underground(s). In M. Lipovetsky (Ed.), The Oxford Handbook of Soviet Underground Culture, The Oxford Handbook of Soviet Underground Culture (pp. 567-591). Oxford University Press. doi:10.1093/oxfordhb/9780197508213.013.47
Ioffe, D. (2026). The Irony of Emptiness and Collective (un)consciousness: the Philosophical and Aesthetic Foundations of Moscow Conceptualism (Andrei Monastyrsky). Zbornik Matice srpske za slavistiku, 109.
Ioffe, D. (2026). Fungal Motif in Russian Conceptualism: Mycological Science, the Second Avant-Garde, and Suggestive Visuality. Zbornik Matice srpske za slavistiku, 109.
Ioffe, D. (2026). The Chaosmos of the Mycological Russian Avant-Garde: Key Nodes of Its Aesthetics The Kandinsky Case: The Visuality of Alchemy and the Search for the Invisible. Experiment, 16.
Ioffe, D. (2026). Introducing Censorship in Russia and Beyond. The Case Study of Russian Tabooed Obscenities (Russian Mat). New Zealand Slavonic journal, 57.
Ioffe, D. (2026). Unfinished Modernity and the Idea of the Tékhnē. From Multiple Realities to Fourth Dimension: (East)European Avant-Garde Cases. Arts (Basel).
Ioffe, D. (2026). Gustave Shpet: Ontology, Phenomenology, and Philosophy of Language in the Context of Russian and European Intellectual History. Journal of studies in russian formalism with translation notebooks, 2.
Ioffe, D. (2025). Russian Formalism and Modernist Formalesque: Radical Linguistic Aesthetics of Kazimir Malevich and Velimir Khlebnikov. Poetics today, 47, June 2025, Issue 3(3). doi:10.1215/03335372-11928069
Ioffe, D. (2025). Multiple Histories of Russian Occultism and the Unfinished Modernity: Imperial Esoterica Versus Modernizations of Avant-Garde Conceptualism. Histories, 5, 34. doi:https://doi.org/10.3390/histories5030034
Ioffe, D. (2025). The Avant-Garde Innovation and Free Improvisation in Soviet Music. Arts (Basel), 14(2), 28. doi:https://doi.org/10.3390/arts14020028
Ioffe, D. (2025). The Mukhomor Occult in Russian Conceptualism: Myco-Science and the Second Avant-Garde. Experiment, 31(1), 253-288. doi:10.30965/2211730x-12340093
Ioffe, D. (2024). The totalitarian laughter versus the State Laughter. The American historical review,(Vol 129, Iss 3, September 2024), 1335–1337. doi:0002-8762
Ioffe, D. (2024). Griby i Mukhi: A Historical Contextualization of the Esoteric Mushroom Religion of Moscow Conceptualism: Fungal Erotic Imagery of Entheogens and Insects. Religions, 15(7), 777. doi:10.3390/rel15070777
Ioffe, D. (2023). The Role of James Joyce in Russian Literature. Canadian-American Slavic studies, 57(1-2), 240-246. doi:https://doi.org/10.30965/22102396-05701022.
Ioffe, D. (2023). Avant-Garde versus Tradition, a Case Study—Archaic Ritual Imagery in Malevich. Arts (Basel), 12(1), 2-27. doi:https://doi.org/10.3390/arts12010010
Ioffe, D. (2022). The Pastoral & Archaic Ritual Imagery in Velimir Khlebnikov. Revue belge de philologie et d'histoire, 100, 741-771. doi:0035-0818
Ioffe, D. (2022). Semiotic Pragmatics of Avant-Garde Behavior and Life Creation. Khlebnikov and Mayakovsky. Kritika i semiotika, 1, 228-272. doi:10.25205/2307-1737-2022-1-228-272
Ioffe, D. (2022). Debating Theoretical and Political Aspects of Modernist Economy of Culture: Life-creation/life-building and Beyond. Novoe literaturnoe obozrenie, 173, 15-33. doi:10.53953/08696365_2022_173_1_16
James, P., Svobodova, B., Cámara Outes, C., Ioffe, D., Berquin, E., Filée, E., & Raysz, S. (2023). The Artist, The Scientist, The Industrialist - presentation of the ARC project: in collaboration with the ARC team. Paper session presented at Comparative and World Literature through the Lens of Modernist and Translation Studies (13-14 novembre 2023: Maison française d'Oxford).
Cámara Outes, C. (2025). Russian Formalism and German Romanticism: Allegory, Novel and Literary History. New Readings on Russian Formalism at the Crossroads of Slavic Cultural History: Primary Insights and Perspectives for Future Research (21-22 October 2022: Bruxelles)
