Présentation des enseignements
Prof. Dr. Dennis Ioffe is an Associate Professor of Russian Studies (Titulaire de la Chaire de langue et littérature Russe).
Département d’enseignement de Langues et Lettres, Faculté de Lettres, Traduction et Communication, Université libre de Bruxelles.
Il enseigne tous les sujets liés à la littérature, à la langue, à la culture, à l'art, au cinéma et à la musique russes.
Il enseigne également les théories littéraires.
Présentation des thèmes de recherche
Domaines de recherche :
Littérature comparée, Études régionales, Histoire de l'art, Méthodes d'enseignement des langues, Linguistique, Études littéraires, Médias, Musique, Philosophie, Religion, Théâtre et les arts du spectacle, Traduction.
Période de recherche : 19e siècle, 20e siècle, contemporain.
Région de recherche :
Europe centrale, Europe de l'Est, Moyen-Orient, Europe occidentale.
Langues de recherche :
Langues de l'Europe de l'Est, néerlandais, anglais, français, latin, langues orientales.
Méthodologie de recherche :
Cultures comparées, théorie littéraire, narratologie, analyse de la langue et du texte.
Centre de recherche MODERNITAS, MSH, ULB;
Co-Editor-in-Chief, Slavic Literatures (Russian Literature), Elsevier Science BV.
Senior scientific evaluator, European Commission, The EU Framework Programme for Research and Innovation. The European Innovation Council (EIC).
https://msh.ulb.ac.be/en/who/dennis-ioffe
http://www.journals.elsevier.com/russian-literature/editorial-board/
Lien vers un site externe
https://denis.ioffe.web.ulb.be/
Enseignement(s)
LITT-B400 - Théorie de la littérature
SLAV-B105 - Histoire et culture russes
SLAV-B210 - Littérature russe I
SLAV-B311 - Littérature russe II
SLAV-B410 - Littérature russe III
SLAV-B505 - Langue russe V
SLAV-B511 - Littérature russe IV
STAG-B471 - Stage
Centre(s) de recherche
Centre de recherches en Etudes littéraires, philologiques et textuelles
Publication(s) récente(s)
Ioffe, D. (2025). Kultura russkogo modernisma: voprosy teorii i praktiki.
Ioffe, D. (2024). Music vis-à-vis Other Arts in Eastern and Central Europe: Performance, Literature, Theatre, Art/Architecture and Visuality. Basel, Switzerland: MDPI.
Ioffe, D. (2023). Slavic and Eastern-European Visuality: Modernity and Tradition.
Ioffe, D. (2021). East-Slavic Religions and Religiosity: Mythologies, Literature and Folklore: A Reassessment.
Ioffe, D., & Pilshchikov, I. (2021). Verbum iuro: Russian languages of obscenity. Belgrade, Serbia: University of Belgrade Press.
Ioffe, D., & Pavlov, E. E. (2022). Arkady Dragomoshchenko and the Leningrad Cultural Underground. In M. Lipovetsky (Ed.), The Oxford Handbook of Soviet Underground Culture, The Oxford Handbook of Soviet Underground Culture. Oxford, UK: Oxford University Press. doi:10.1093/oxfordhb/9780197508213.013.26
Ioffe, D. (2022). The Experimental Sounds of Russian Conceptualism: From Historical Musical Avant-garde to Cultural Underground(s). In M. Lipovetsky (Ed.), The Oxford Handbook of Soviet Underground Culture, The Oxford Handbook of Soviet Underground Culture. Oxford University Press. doi:10.1093/oxfordhb/9780197508213.013.47
Ioffe, D. (2021). The Transgressive Art of Vasily Klyukin. Russian and European Post-modernism on the crossroads. All-in-One Integrated Art-Object: The Visual culture of Experiment. In The Transgressive Art of Vasily Klyukin. Russian and European Post-modernism on the crossroads. All-in-One Integrated Art-Object: The Visual culture of Experiment, Vasily Klyukin Civilization. The Island of the Day Before (pp. 179-190). Vienna: Verlag für Moderne Kunst.
Ioffe, D. (2021). The Time-Capsules of Vasily Klyukin: From Kinetics to Cosmic Egg. In The Time-Capsules of Vasily Klyukin: From Kinetics to Cosmic Egg, Vasily Klyukin Civilization. The Island of the Day Before (pp. 165-168). Vienna: Verlag für Moderne Kunst.
Ioffe, D. (2021). Ritualistic verbum of Russian Conceptualism: Performative Somatics and Visuality. In Ritualistic verbum of Russian Conceptualism: Performative Somatics and Visuality, This is not Moscow Conceptualism: Collection of scholarly papers (pp. 246-267). Belgrade: Belgrade University Press.
Ioffe, D. (2020). Languages of Buddhist poetics: the Case of Arkady Dragomoschenko. In M. Lipovetsky (Ed.), Languages of Buddhist poetics: the Case of Arkady Dragomoschenko, Homo Scriptor: Festschrift for the 70th Birthday of Mikhail N. Epstein, edited by Mark Lipovetsky (pp. 255-271). Moscow: New Literary Review, NLO.
Ioffe, D. (2024). The totalitarian laughter versus the State Laughter. The American historical review. doi:0002-8762
Ioffe, D. (2024). Griby i Mukhi: A Historical Contextualization of the Esoteric Mushroom Religion of Moscow Conceptualism: Fungal Erotic Imagery of Entheogens and Insects. Religions, 15(7), 777. doi:10.3390/rel15070777
Ioffe, D. (2023). The Role of James Joyce in Russian Literature. Canadian-American Slavic studies, 57(1-2), 240-246.
Ioffe, D. (2023). Avant-Garde versus Tradition, a Case Study—Archaic Ritual Imagery in Malevich. Arts (Basel), 12(1), 2-27. doi:https://doi.org/10.3390/arts12010010
Ioffe, D. (2022). The Pastoral & Archaic Ritual Imagery in Velimir Khlebnikov. Revue belge de philologie et d'histoire, 100, 741-771. doi:0035-0818
Ioffe, D. (2022). Semiotic Pragmatics of Avant-Garde Behavior and Life Creation. Khlebnikov and Mayakovsky. Kritika i semiotika, 1, 228-272. doi:10.25205/2307-1737-2022-1-228-272
Ioffe, D. (2022). Debating Theoretical and Political Aspects of Modernist Economy of Culture: Life-creation/life-building and Beyond. Novoe literaturnoe obozrenie, 173, 15-33. doi:10.53953/08696365_2022_173_1_16
Ioffe, D. (2021). East-European Critical Thought: Myth, Religion, and Magic versus Literature, Sign and Narrative. Religions, 12. doi:10.3390/rel12090717
Ioffe, D. (2021). Debating Russian Obscene Performativity and Polysemy. Zbornik Matice srpske za slavistiku, 100, 781-812. doi:https://doi.org/10.18485/ms_zmss.2021.100.44
Ioffe, D. (2020). The Grand Narrative of the Mukhomor 'communist Dunaev' as a Mushroom Eater in Mifogennaia liubov' Kast. Understanding the ethnobotanical history of the younger group of Russian conceptualists. The Soviet and post-Soviet review, 47(2), 35-184. doi:10.30965/18763324-04702002
